Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Bergognone
Peter the Martyr with a Kneeling Donor (mk05)

ID: 20064

Bergognone Peter the Martyr with a Kneeling Donor (mk05)
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Bergognone Peter the Martyr with a Kneeling Donor (mk05)


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Bergognone

active in Milan 1481-1522  Related Paintings of Bergognone :. | The Mystic Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena | Augustiue with a Kneeling Donor (mk05) | The Virgin and Child | Peter the Martyr with a Kneeling Donor (mk05) | The Virgin and Child Enthroned with Saint Catherine of Alexandria and Saint Catherine of Siena |
Related Artists:
Pieter Cornelisz. van Slingelandt
(20 October 1640 - 7 November 1691) was a Dutch Golden Age painter. According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it. Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),
Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
Thomas Ruckle
was a house painter and sign painter in early nineteenth century Baltimore, Maryland, and an amateur painter. He is best known for his paintings The Battle of North Point, and The Defense of Baltimore. Ruckle was a veteran of the War of 1812, in which he had served as a corporal in the 5th Maryland Regiment of the Maryland Militia. Ruckle was born in Ireland and, having moved to Baltimore, Maryland, he became a sign painter and house painter. It is likely that he had very little, if any, formal training as an artist.






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